The krafft couple as filmmakers 赫尔佐格的剪辑让人在赞叹自然壮美瑰丽之外更有一种敬畏。也很难不想到《灰熊人》，觉得赫尔佐格也迷恋死亡之前拍摄下的影像以及其中蕴含的宿命之感。最后的点题也好“because of this unity and this togetherness, they were able to descend into the inferno and wrestle the image from the very claws of the devil”.
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